Sight Gags and Charlie Chaplin Essay -- Humor Comedy Funny Humorous Es

Sight Gags and Charlie Chaplin We stick out all seen it d nonpareil before, either in real life or in the movies. A point is funny beca procedure of the misinterpretation of someones actions or the dispatch conflict of what a situation seems to be and what it really is. People sum up into contact with locoweed gags all the time. One might be onerous to be sneaky and hide something and then when someone looks, one pretends to be doing something else not to get caught. One could also pantomime using an umbrella as a baseball bat. These are both basic phases of sight gags.Sight gags are an essential part of comedy, especially the silent comedies of Charlie Chaplins time. A sight gag is a visual form of comedy. In this form of comedy, the actors rely on the way the audience perceives the actions on screen for humor. This could include a mis hearing by characters or a misrepresentation of an mundane object. In order to make the gag work, the actor must use smooth, visible actions to convey his or her point. Noel Carroll outlines six different geeks of sight gags in the book, Comedy/ film/Theory. In this paper, I will talk near each gag and give examples from the three Charlie Chaplin films that we have watched. The first type of sight gag discussed is the mutual interference. This type of sight gag is eagerness up so that a character in the film misunderstands something that is possibility in the scene, however the audience can see both sides of the situation and is aware of the truth. The author says that this perception of incongruity in an event or situation amuses us, which in turn causes risible sensations - laughter, for example - that we feel in response to humor.(Page 27) This type of sight gag tends to be a favourite in the silent ... ...nd I believe that these six techniques are excellent examples of how humor can be conveyed to the audience without words. Sight gags tend to arouse the possibility of interpreting a situation in more than on e way. The author points out that the sight gag flies in the causa of the prejudice that movies can only brutishly recapitulate from a single point of view what stands before the camera. From the conflicts of interpretation to the literal and metaphoric points of view, it is these things that elude but amuse us. I am sure that most of us have seen variations of these six basic techniques in both movies and real life. hopefully with this information one will be able to better understand and appreciate the humor of the sight gags and silent films. Works CitedHorton, Andrew S. Comedy/Cinema/Theory. Los Angeles, CA University of California Press, 1991.